He writes, "this new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary, it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour". With these constraints, his art allows only primary colours and non-colours, only squares and rectangles, only straight and horizontal or vertical lines. The "plastic vision" of De Stijl artists, also called Neo-Plasticism, saw itself as reaching beyond the changing appearance of natural things to bring an audience into intimate contact with an immutable core of reality, a reality that was not so much a visible fact as an underlying spiritual vision.
De Stijl - The Modern Plastic Art Movement July 4, Widewalls Editorial Deeply invested in modern and contemporary art, the Widewalls magazine aims at providing a unique experience for its readers in the form of in-depth and quality journalism. There is one quote by Piet Mondrian which could be used to define De Stijl in one sentence alone: De Stijl, which ambitiously means The Style, was conceived in in the Netherlands by a group of artists who centered around the idea to fathom the purity of form and the reality of nature, supposedly obscured by figuration.
Having the time of its inauguration in mind, it should be clear that this urge to redefine, or even reinvent reality comes from a feeling of anxiety and disappointment caused by the First World War. Just like the cubists had the capacity to see things through abstract shapes combined, and the futurists saw a single movement in all of its stages, the protagonists of De Stijl — especially painters — were inclined to understand nature as a combination of relationships, rather than of actual physical forms.
Their visual expression was radicalized by a self-invented vocabulary that functioned according to its own system, consisting of orthogonal lines and primary colors as the most basic tools for non-verbal communication.
These elements are sometimes wrongly interpreted as shapes, which they obviously are, but it is not what they aim to represent. The idea was not to repeatedly paint red, white, blue and yellow rectangles outlined with black lines in order to discuss their mere appearance, but to capture the sensations that come through our eyes, and to translate them into the domain of the cognitive.
Thus, De Stijl was a bit like telling a story, or even writing poetry using visual cues, which some of us are not able to contemplate even in this day and age. And even when the story ended inpartly due to the untimely death of Theo van Doesburg and partly because of the socio-political situation in soon-to-be Nazi Germany, its legacy remained, heralding the character of the 20th century as we know it today.
Beside painting and sculpture, it made significant impact on typography, architecture and design, and even music at some point. However, all of these genres were strongly influenced by painting, which is somewhat logical, given that painting could be considered a foundation for other media.
De Stijl architecture was no exception of course, but since building takes longer than painting, there are not as many examples that adhere to the principles of De Stijl entirely. The other thing is utility of course, which introduces the second most important characteristic of De Stijl architecture.
Since De Stijl was one of the pioneers of the Sullivan-derived form-follows-function practice, most of the things you know about modern architecture applies to De Stijl architecture as well.
|De Stijl - Wikipedia||Many of the same abstract ideas came into play, as did ideas that incorporated the "machine" aesthetics of the new industrial age.|
|De Stijl - Monoskop||From De Stijl to Dutch Design:|
|De Stijl – The Modern Plastic Art Movement | Widewalls||Partly a reaction against the decorative excesses of Art Deco.|
|History Of De Stijl Architecture||Many of the same abstract ideas came into play, as did ideas that incorporated the "machine" aesthetics of the new industrial age.|
It was, however, preceded by the designs of Frank Lloyd Wright, whose influence on De Stijl assisted the formulation of this architectural style to a great extent.
The other important influence comes from Hendrik Petrus Berlage, a prominent Dutch architect whose work is often regarded as an interim stage between traditionalism and modernism in the Netherlands. Only blue, red and yellow were used to outline certain elements of De Stijl design, otherwise the surface was painted in white, grey or black the non-colors.
This was applied both to the facade and the interior of a building, and obviously to furniture design as well.
For this new art it is absolutely necessary to dispose over definite elements. Statements like this, and the general approach of De Stijl made it vulnerable to numerous mis interpretations. Just like the majority of Modern art movements, De Stijl was fighting to find an equilibrium between being exclusive, or even extremist, and advocating universality and global equality.De Stijl - De Stijl, art form that is very stylized and simple, yet beautiful, is one of modernism movements that happened in twentieth century and has given big impact to the design world.
With Theo van Doesburg at the head of the list, several artists such as Mondrian. developed De Stijl. The Netherlands-based De Stijl movement embraced an abstract, pared-down aesthetic centered in basic visual elements such as geometric forms and primary colors.
Partly a reaction against the decorative excesses of Art Deco. the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the. The Netherlands-based De Stijl movement embraced an abstract, pared-down aesthetic centred in basic visual elements such as geometric forms and primary colours.
Apart from the founding members of the magazine De Stijl that announced the emergence of the new art movement, the search for laws of equilibrium and harmony applicable both to art and life that De Stijl stood for, has attracted many prominent artists and architects of the time.
Featuring the typical De Stijl palette of primary colors, black, and white, the building emphasizes its architectural elements - slabs, posts, and beams - reflecting the movement's emphasis on form, construction, and function in its architecture and design. De Stijl, Dutch for "The Style", also known as neoplasticism, was a Dutch artistic movement founded in In a narrower sense, the term De Stijl is used to refer to a body of work from to founded in the Netherlands.